In Search of a Majority

Loading...

Saturday, May 30, 2009

I'm a Man

(Bow Wow and Soulja Boy Tell 'Em enjoying their manhood; photo courtesy of The Urban Informer)



This is what
 Oprah Winfrey would call a "teachable moment."

In a video posted on the media-sharing site, You Tube, rapper/actor Bow Wow (aka Shad Morris) attempts to answer the question: “Are you homophobic?”  You see, in a previous interview, Bow Wow recounted a story in which he needed a haircut and asked his staff to find a barber.  When the barber eventually showed up, Bow Wow refused to allow the man to cut his hair because Bow Wow perceived that the barber might be gay. 



In the latest video, Bow Wow tries to defend himself by saying that he's not even sure what the word “homophobic” means, nor does he grasp the proper response to the question.  He goes on to indicate that he knows gay people and are aware that there are many of “them” in the entertainment industry.  BUT—and this but is almost as big as his homeboy
 Omarion's—Bow Wow also indicates that he's a “man,” and so it's only natural that he has an aversion to being touched by someone who might be gay.  The reason why I call this a teachable moment is because there are some interesting things at work in Bow Wow's response.



For some reason whatever ailment afflicts
America at large, its grip is almost always firmer in the black community. Whether it’s poverty or joblessness or homelessness or lack of education or violence or addiction or incarceration or disease or dogmatic religion or misogyny or racism (expressed, obviously, as self-hatred) or homophobia—if America is trapped in the grip of some tragedy or vice, it’s practically guaranteed that the expression of said demon will be magnified among blacks.  I’m certain there are some detailed studies out there that look at this phenomenon and present very cogent explanations for why this might be so.  



But if I had to hazard a guess based on my own observations, I would say that it might have something to do with the place black people, for the most part, inhabit in American society: Blacks, for a great deal of the history of this country, have found themselves designated as the object by which (through direct opposition) Whiteness is defined.
  Whatever it was determined that whiteness was (intelligent, wealthy, privileged, clean, educated, manly, womanly, humanly, Godly, etc), blackness was not.  Whites could only experience their imaginary superiority by enforcing blacks’ imaginary inferiority.  Thus, a society was created and institutions were established to actively excluded blacks and actively denigrated them.



Having to shoulder the burden of being black (expressed as the “lack of” whatever the larger society deemed they lacked), blacks did whatever they could to survive the mental, emotional and physical onslaught of this contrived dehumanization.  They were not always successful (the most insidious power of oppression is in its surreptitious effects on the oppressed).
  As a result, many blacks internalized this fictitious deficiency and behaved as though the lie was the truth; more than behaved, they believed it.  So whatever it was that the whites possessed, blacks coveted (the sole exception being intellectual endeavors since the power cultivated there is neither vicious nor immediate)—whether for ill or for good—believing that only by imitating and eventually becoming more like whites could they ever be deemed civilized (no matter how dehumanizing the civilization process).



One of the most dangerous things blacks coveted from whites was their notion of manhood.  For whites, masculinity rested in the loins of pirates and cowboys; soldiers and hunters, raiders and frontiersmen; and eventually, outlaws of any kind: Really, anyone who wielded a weapon of destruction; who conquered at the slightest whim; who took what did not belong to him; who raped and murdered and pillaged and plundered as he pleased; who was invincible and immortal; in other words:
 
Jehovah.  These things had nothing to do with manhood whatsoever and everything to do with defining what it meant to be a monster.  But blacks (blinded by their avarice) and whites (blinded by their hubris) could not see that.  



Another much-sought-after poison was misogyny.  Because the philosophy of the white society was to define itself in opposition rather than by complement, they regarded women as
The Other, too.  So if manhood was strength, protection, and order, women were weakness, vulnerability, and chaos.  If the worst thing a white person could be was black, then the worst thing a man could be was a woman.  So imagine their shock at witnessing something they could not have been imagined (or did, but repressed): The wretched homosexual man (the only true wretched thing was the degenerate mind that regarded him as such).



Not only did this homosexual man willingly (or so it seemed) dispense with his masculine birthright, but he sometimes assumed (or so it seemed) the position of the female: Some of them walked like her, talked like her, dressed like her, and most appallingly, had sex like her.  And if that were not enough, he presented yet another challenge: He represented the potential of any man (or so it seemed) to be likewise afflicted.  It did not matter that one's homosexuality was as intrinsic to one's being as one's eye color or skin color.
  It did not matter that one could not be forced to be a homosexual (unless one was raped; and this fear reveals the heterosexual mind: He would gladly rape a woman if he could get away with it; so why wouldn’t the homosexual gladly rape him?).  It did not matter because now the men were blinded by their panic and their horror gave birth to homophobia. Like the black man, the homosexual did not escape the imperative.  Placed within him, too, was a monumental hatred of self.  And so it was written.



And this is the toxin—one of, literally, biblical proportions—that has been passed down from generation to generation for centuries.  This is
America’s chief pastime, product and export; its claim to fame, its gold ring and ivory tower; its joy, its pain, and its repetition.

It is what has infected the blood of men who believe themselves both reasonable and pious, but are, in fact, neither.  It is, as I said earlier, expressed with even greater degree in the black community because blacks hunger doubly for whatever single thing whites possess.  



It is from this double-wide cesspool that Bow Wow speaks; a victim as much as he is, himself, victimizer.  In his limited imagination, like in the woefully limited imaginations of his forefathers, his manhood (a disguise for monstrosity) is so fragile—indeed so paper-thin—as to be vexed by the mere touch of a homosexual.  In his video, he repeats the stupidity of the millions of Neanderthals who came before him; like them, unable to comprehend his own ignorance, much less endure the scrutinizing of it.  Flustered, he retreats to well-worn clichés and deceptions, none of which have any art or value.



Part of the reason this pestilence endures is because so few are willing to challenge it; so few have the courage, the fortitude, the requisite steel to stand before an audience that desires nothing more and nothing less than their bodies swinging from trees, or atop pyres, or tied to cinder blocks at the bottom of the ocean.  So few are willing to share their larger, grander, more inclusive vision, and I understand the reticence; there is an enormous price to pay for such honesty.   Yet, I feel compelled to write this, to announce my truth, to stand up, to confront, to dispel, to correct, to challenge, to instruct, to teach every misguided poltroon who has ever waged war against me from the safety of their multitudes, behind their shields of foolishness, with their ever-shrinking gods.  Even as they raise their swords, which, with time, have grown dull, I shall come out and, with my hand on their shoulders, proclaim: I love you.  



And I'm a man.




[REVIEW] WONDER WOMAN #32 (MAJOR SPOILERS)

(WONDER WOMAN #32 packs quite an emotional punch; all photos courtesy of DC Comics

WONDER WOMAN #32
"The Rise of the Olympian, Part 7: Compound Fracture"
Gail Simone, writer
Aaron Lopresti, penciller
Matt Ryan, inker
Travis Lanham, letterer
Sean Ryan, associate editor
Elisabeth Gehrlein, editor
Aaron Lopresti and Hi-Fi, cover

WARNING: THIS REVIEW CONTAINS SPOILERS!

WONDER WOMAN is one of only a handful of comic books that I still collect. I have gone from buying somewhere in the neighborhood of 35 books a month to buying five (SECRET SIX, THOR, and soon, DETECTIVE COMICS and THE AMAZING SPIDER-MAN). Editorial impositions, decreasing literary and aesthetic quality, and cost are the reasons I have mostly abandoned a hobby I’ve had for nearly 34 years.

WONDER WOMAN #32 is Gail Simone’s subtle rooting of Wonder Woman into the myths of yore, building upon the tradition out of which the character sprung, updating it for a modern audience. This issue is two things: It is deeply philosophical (which is where it largely succeeds), but it is lacking in scale (the epic only briefly feels that way).

(Carnage in DC; WONDER WOMAN #32)

I’m about to commit comic book reader blasphemy, so please forgive my sins: Aaron Lopresti is a decent enough artist, and has his moments (including one hell of a storytelling job on WONDER WOMAN #28), but here, if Simone had Bernard Chang or Olivier Coipel or Phil Jimenez or Nicola Scott as artisans, there would be no need for the prose that explained that how traumatic this event was for the civilians who witnessed it. Certainly, it would have come across on the actual page that this was a September 11th/Katrina-level event. What was needed was grander vision: If this is the End of Days, then it should look that way.

Instead, what we have is something that looks oddly tame compared to the description, thus the dialogue becomes a crutch. Cars and buses are thrown, helicopters are crashing, the street is mangled, and yet there is something too neat and too organized, too strategic and too choreographed about it all. As a native New Yorker, I can tell you that the last thing an event like this would be is organized. This chaos is way too controlled. And worst of all, there is too much light. We don’t see a hint of darkness until we see Wonder Woman’s eyes on page 15. It isn’t until page 29, when Wonder Woman and Genocide are battling over the Atlantic Ocean, that any true sense of danger is conveyed by the art. Here, the art is appropriately dark and gritty; here is where storm clouds gather and lightning strikes; where there is blood and guts; where the sky becomes a graveyard. It isn’t until this page that I believe the dire situation might actually have fatal consequences, but by then it is mostly too late.

What is most compelling about WONDER WOMAN #32, however, isn’t any of the battle scenes themselves, but rather what the battle scenes allow Wonder Woman to consider, what they force her to reveal.

(What lies beneath; WONDER WOMAN #32)

First is the examination of what lies beneath. Wonder Woman realizes that as horrifying as she finds Genocide to be, they are connected on the deepest of levels. What Wonder Woman is identifying is the carefully-contained shadow within us all, the thing that civilization seeks to domesticate, the beast that Foucault and Nietzsche urge us to release. Even without the lasso she confronts this truth. But instead of being frightened by it, repulsed by it, she utilizes it, embraces it believing that it is necessary for victory. But how far to take it? She, herself, wonders, as she contemplates past actions and past inactions as perhaps too vain, too self-serving: Could all of this carnage have been avoided if she had simply killed her enemies instead of containing them, instead of trying to reform them? The latter we have not seen in some time, though Simone hints at it with Dr. Morrow’s agreeing to help Wonder Woman stop Genocide.

Second is the examination of cultural imperatives. Wonder Woman is forced, by Genocide, to reveal to her love interest, Tom Tresser (also known as Nemesis) that she never loved him. She, according to Genocide, selected him as a mate, not as a lover. Here is one of the few moments where Lopresti captures the right emotion: Tresser’s heartbreak is entirely in his eyes.

(No; WONDER WOMAN #32)

This is a shocking revelation to readers not because there weren’t enough clues to point to this (a careful re-reading of previous issues makes that clear), but because it strikes directly at the heart of what most readers believe they know about Wonder Woman. She’s known as a princess, as a loving a daughter and champion of love and truth. She’s never been considered so utilitarian, particularly regarding matters of the heart. Perhaps it’s because Wonder Woman has never been so thoroughly re-imagined as a warrior or as an Amazon with a culture not quite like our own. She’s quite literally a stranger to us and, apparently, we are to her as well. One wonders: Was she always aware of how this truth might affect Tom? Did she weigh the option of revealing the truth to him and decide that, ultimately, her mission (re-creating the Amazons a child at a time using herself as the vessel) as greater than his personal feelings? Or is there something she knows about Tom that we don’t (which is why she chose him)? In any event, the grand question here is: Does this endear us to the character, make her more sympathetic, or are we alienated by her sense of duty?

(Victorious, but at what price?; WONDER WOMAN #32)

Third is actually a revelation that comes as a result of the first examination. Having defeated Genocide in the stormy skies over the deepest part of the Atlantic Ocean, Wonder Woman contemplates allowing Genocide to fall to her death, to let her broken and invalid body sink to the depths where she—unable to free herself—would eventually drown. But—and this is really the touchstone of not just this particular story, but of Wonder Woman herself—she has an epiphany:

“All I wanted was to kill that monster. To let it drown, alone, in the dark. To have my revenge. And yet I find I am not that person. Thank Hera and all the gods. Tears of relief and resurrection mix with the dark water around me. I remain Diana. Right or wrong, I will not murder. I will not take a life knowingly today when any other option exists. My heart is clear, and with clarity comes mercy (pg. 35).

All in all, WONDER WOMAN #32 is an enjoyable read. This issue was impeccably paced, even if some of the other issues in the arc seemed a bit askew--that is, attention sometimes seems to zero-in on matters previously conveyed (the threat Genocide poses), while aspects that could be better fleshed out are glossed over: I do wish that the most compelling elements of “The Rise of the Olympian” (Achilles—the Olympian himself, the return of the Amazons) had a larger role in this arc overall.  The resulting feeling is one of uneveneness (which may be related more to structure than to pacing, though the two are often intertwined)--but that is perhaps a personal bias.

Sometimes, this storyline doesn’t feel cohesive, and when the pieces do come together, the connections feel contrived or tangential at best: The revelation of Ares as the mastermind who inspires The Cheetah (a character who, by the way, Simone beautifully explicates and portrays in SECRET SIX #3), Dr. Morrow and Dr. Psycho to create Genocide and conspire against Wonder Woman is one aspect of the story that seemed so very left field, inorganic, and a little too pat for me. Imagine what a force-to-be-reckoned with it would have made The Cheetah had this been her idea.  I think that I get the metaphysical aspect of Ares’ involvement: He inspired these characters to declare war against Wonder Woman; but I believe that idea would have been stronger, had more impact if Ares was not an actual physical being, if he were portrayed as an actual force of nature rather than just another powerful super-villain; or maybe  if The Cheetah had spoken of, from the very beginning, being inspired to act against Wonder Woman, this connection would have resonated with a more believable tone.

On the other hand, the revelation of Genocide’s true identity was pure genius. 

There’s one more chapter left in the story arc and hopefully there will be answers to the remaining questions: Who are the mysterious Ichor? Why were the Olympian gods so out of sorts when they returned? Why did Athena fake her death? What does Ares have against Zeus? What will be the final fate of the Amazons and the Gargareans? Where are The Circle and what are they planning? What will be Wonder Woman’s role at the conclusion of this arc? What will be Achilles’ role?

We shall see.

Story: 4 out of 5 Baldwins
Art: 3 out of 5 Baldwins

Friday, May 29, 2009

Waiting For Weezy

Can't...talk...sides...splitting....

Wednesday, May 27, 2009

Go Tell It On the Mountain XI

(Rob Thomas; photo courtesy of WBTI)

Rob Thomas has something he wants to say to all the homophobes in the country regarding gay marriage:

Stop.

Read his essay here.

Excerpt: 

I believe that to deny this right to the gay population is to say to them, "this god is not your god and he doesn't love you." There isn't one person who is against gay marriage that can give me a reason why it shouldn't be legal without bringing God or their religion into it. Still, I'm amazed at the audacity of a small, misdirected group of the ultra-conservative Christian right wing, to spend millions of dollars, in a recession, on advertisements to stop two men or women who love each other from being able to be married, but when you present any opposition to them, they accuse you of attacking their religion. Isn't it funny that the people who are the quickest to take someone's basic rights to happiness are always the loudest to scream when someone attacks their right to do so?

The Devil Finds Work II

(Who do you think will bite you first? Chris Brown and puppy; photo courtesy of Coby Style)

Chris Brown is back.  He says he's releasing an album called Graffiti soon.  He says he has a lot of haters (I wish they would retire that tired term already). He says he's not a monster.  No?

Oh, and Bow Wow makes a cameo, too.  Seems like Chris' machine is trying it's best to put him in the spotlight with other black male celebrities in some kind of nutty show of homeboy solidarity.  

Anyway, here's the clip:



Don't worry, Chris. Americans have short memories.

[Music] Sade to Return in 2009!

(Sade; photo courtesy of Epic)

Well, it's about time! Sade, notorious for long lapses between albums, is finally releasing new material this year.

According to her website, Sade's as of yet untitled album will be released on November 24, 2009.  It has been 9 years, since Sade's last album, Lover's Rock.  And you know a tour just HAS to come along with this, right?  

2009 is turning out to be a great year in music.  First, Maxwell is releasing his long-awaited album on July 7th.  And now, Sade.

Here's the scoop:

New Sade in 2009

Sade's new album will be released November 24, 2009. Just in time for the Holidays

The title of the Album has not been released.

If you know Sade, you know she does not make albums for the money, Sade is an artist who creates music purely on inspiration. Hence why we've waited nearly a decade for another release, like a poet with a 9 year dry spell until she fell in love again, Sade will bless us with another classic.

November 2000 was the last time Sade had a new album out, here we are, 9 years later and we are once again being blessed with another November release date, Why november? Sade loves the Holidays...

While some political observers lament a return of the same old, same old, fans of the Nigerian-born singer have gladly welcomed a fresh batch of takes on the labors of lost love.

Regardless of the new talent and musical trends that have come and gone since her last studio album, one thing will never change, her honeyed voice. With only slight stylistic changes marking each new collection of songs, Sade has sold more than 40 million albums since the mid-'80s, each marked by tales of heartache and longing, and none more spare and haunting than Lovers Rock.

The 50-year-old singer, who got her first break in the early '80s fronting the English Latin soul band Pride, reveals little about her closely shielded private life on her #5 album.

From her signature first hit, 1984's "Smooth Operator," off her Diamond Life debut, to "The Sweetest Taboo," Sade has avoided trend-hopping. It's a pattern she told MTV Europe she's continuing on her latest release. "We're lucky that we have some platform already established that we can step back onto," she said. "We haven't ever adapted to fit in and even right at the very beginning we didn't really fit in. We have our own kind of course and that's the route we go. So we either sink or swim."

Tuesday, May 26, 2009

The Devil Finds Work

(Something so-called Christians are loath to consider; photo courtesy of Justin McLachlan)



I never liked California. Never. I visited and hated every minute of my experience. Between the earthquakes, the smog, how hostile its citizens are to outsiders, the rampant plastic surgery and superficiality, and Hollywood's incessant need to manufacture deplorable fantasies and call them reality, I reject California and everything that it stands for.

During a conversation a few months back when this challenge to Proposition 8 was first announced, I said that I believed Proposition 8 would be upheld because the attorneys representing the LGBT community had such a weak legal argument. The argument was that Proposition 8 should be overturned on the basis that it represented so drastic a conradiction to the California state constitution (as it relates to the equal protection clause), that it should be considered a revision rather than an amendment--and further, that revisions were not subject to the whims of the people, but had to be implemented through congressional process.  Devil's advocate: My first demand as a judge would be: Prove that to me! But that's neither here nor there. 

These lawyers obviously did not take history classes. Here's why I say that (this is not a precise example since the U.S. Constitution isn't voted upon by the public, but bear with me; I'm just a civilian):

The thirteenth and fourteenth amendments rendered Article 1, Section 2, Paragraph 3 of the U.S. Constitution moot, as well--but it didn't make the amendments, in regard to their legality, revisions as opposed to amendments simply on the basis of their diametric opposition to the existing law (or perhaps amendments are inherently revisions, which would make the lawyers' point moot--or at least makes the standard of proof so high as to be utterly unattainable--from jump).   So why would the lawyers believe this would be the case in California? Well because it was the only way they believed they could get the decision out of the hands of California's ignorant and homophobic populace and into the courts (where a two-thirds majority congressional vote would be needed to even get something like Prop 8 on the ballot). It was a long shot, and they missed the target by a country mile: The judges ruled against them, almost unanimously, 6 to 1, citing that civil unions for dirty fags and degenerate dykes was enough, so said the rat bastard citizens of California state.

You know what the problem was, right? The problem was that these lawyers didn't know how to construct a compelling argument. They didn't exercise patience, bring together the greatest legal minds in the community, gather every resource at their disposal, and make sure their shit was tight before they entered the court room. So, when they got there, they were flustered by the judges' inquiries and didn't have adequate responses. Simply put, they didn't bring their A-game because they thought that they were on the right side (and they were; history will show that; but you cannot rely on that when you are in the midst of the bullshit: most human beings, even those in the highest of positions, lack vision and foresight, or at the very least, require EVIDENCE of it before they are moved) and that a sense of fair play was enough to sway the judges in a state where stupid people get to decide almost everything through ballot measure. 

But where were the attorneys' arguments about WHY forbidding gay marriage is unfair? Where were the statistics about how this second-class status makes gays and lesbians the targets of discrimination, hatred and violence? Where were the personal stories of tragedy? Of how this second-class designation actually affects the daily lives of gays and lesbians? Where were their photos of dead and hanging little gay boys? Of gutted and destroyed little lesbian girls? Of children ripped from the arms of the only parents they ever knew? Of how this could only be the beginning: If left to such devices, California residents might see fit to likewise discriminate against Latinos (oops, they already did), women, African-Americans? Where was their separate-is-inherently-unequal data? What they needed were facts, facts, facts, but what they came to court with was conjecture, conjecture, conjecture.  

So no, this outcome didn't surprise me in the least.

I hope they're better prepared next time.

The Evidence of Things Not Seen II

(Pretty Ricky, from L to R: Pleasure, Baby Blue, Slick 'Em and Spectacular; photo courtesy of The BBC)


Welcome to one of the newest categories on the blog.  It's reserved for those things found pretty suggestive or obvious despite the lack of corroboration.  

In our second installment, we have Spectacular, a member of the R&B/rap group known as Pretty Ricky. Spectacular has saw fit to challenge Bow Wow, Omarion, Chris Brown, Trey Songz, and Day 26 to a grind-off. And what exactly is a grind-off you ask? Apparently, it entails undressing down to your bloomers and grinding, stripper style, to a slow jam.

I think it's great that an increasing number of youngins are finding themselves comfortable with expressing their feminine sides. Though, I doubt they would dare acknowledge their actions as such; there's still an insane stigma attached to femininity in men (homophobia is, after all, nothing but misogyny directed toward a different gender).

Anyway, Spectacular's dancing in this video reminds me of that friend we all have; you know the one: That guy who is pretty flamboyant but when you ask him if he's "out," he says, "Absolutely not! No one knows that I'm gay." We never have the courage to tell our friend, "Homeboy, even the plankton at the bottom of the sea know that you're gay. What you mean to say is that you haven't told anyone and, out of respect for your delusion, no one has told you that when you try to cover your truth by talking about your imaginary girlfriend, everyone laughs at you behind your back and wonders if what you're trying to tell them is that you're a lesbian."

Because we love our friend and we don't have the heart (and because fantasy is a nice, cool glass of red Kool-Aid and reality is a jagged fucking pill), and because life needs a little bit of comedy every now and again, we let him keep on thinking that no one knows (we chuckle a little, sure; but really, we're not doing as much harm to him as he's doing to himself). So we ignore him as he contrives to come up with euphemisms for what even Ray Charles could plainly see.

And you'll be able to see it, too. Check out the video below.

Admit it: It would be HOT to see Omarion, Brian from Day 26, and Spectacular in a grind-off, don't you think?


Monday, May 25, 2009

Formalists


Heh.  


Sunday, May 24, 2009

Go Tell It On the Mountain X

(Bill Maher; photo courtesy of Salon)


Here's a clip from this week's Real Time with Bill Maher where Bill discusses California's impending bankrupcySuperman, Batman and Wonder Woman. It's rather hilarious:


Thursday, May 21, 2009

[TV Trailer] "V"


(Original "V" promo poster; photo courtesy of Movie Tome)

Remember how huge an impact the original television mini-series had on the culture?  This remake certainly won't have that same impact, but I'm hoping there are, at least, some intelligent political allegories present--I already see some allusions to Bush, Obama, and the press. This series features Morris Chestnut.  No release date has been announced (it's a midseason replacement).

Behold:



Tell Me How Long the Train's Been Gone

(Soul Train; photo courtesy of That Black Girl Site)


Visual comfort food.




Shout out to LITTLE BLACK BOY BLUES for the put on.

Wednesday, May 20, 2009

Go Tell It On the Mountain IX




Ellen Degeneres gives a smart, heartfelt, poignant and often funny commencement speech at Tulane University in New Orleans, Louisiana. Heed her words below (pay close attention to her discussion of shame):

Another Country

(Uncle Sam; photo courtesy of Umpqua)


Despite the hype, the United States of America isn't one country.

Often, being here is like living in fifty tiny countries, each with varying degrees of connection to reality. Some of these tiny countries lag, terribly, behind others in regard to social and economic justice. Our institutions, too, tend to exist in a world wholly disconnected from the real one. I suppose that the only way many of these corrupt establishments can continue to operate--considering many of the things they are called upon to perform--is to insist upon blindness, to behave as though they cannot see the very obvious thing in front of them; pretending that they are unaware that, in giving up sight, they also, willingly, give up vision.

I imagine that this is but one of the reasons why the military continues its policy of "Don't Ask, Don't Tell" even in the face of losing highly-skilled, highly-decorated, highly-advanced soldiers. What a silly policy. It's like a game of "Make Believe" children concoct on the playground. It's such an embarrassment and is so beneath anyone with even a rudimentary understanding of the world we live in. I could list the number of fallacies that the military is committing in assuming that unit cohesion would suffer if soldiers were allowed to be open about their homosexuality, but I will only list one: Hasty Generalization.

The military, like many other institutions (I see you, religion!), is out of step with the trajectory of the generation. Generations X and Y don't care about one's homosexuality. Neither do the Millenials. I fancy that it's because Baby Boomers are at the highest levels of military complex (and pervade the legal ones) that this is even an issue (and it is only an issue in American and in the some of the more hostile of Muslim nations; homophobia is one of the few areas in which we stand proudly with our terrorist brothers and sisters). 

Well, here's what I hope happens: I hope gay people with courage or a sense of adventure (and must not we assume that if they are serving in the military then they must be either courageous or foolhardy?) continue to announce their homosexuality. And I hope the military continues to discharge them; discharge their interpreters and fighter pilots and generals and strategists and doctors and special ops soldiers until the military is a riddled mess that no longer has the right to call itself a military. Because it will have to come to that before the legislators and the chiefs of industry actually open their eyes to see the mess that they have wrought. I simply hope that our own security is not threatened because of their continued anopsia.

But if you don't believe me, then watch this video of Rachel Maddow interviewing Lieutenant Colonel Victor J. Fehrenbach and decide for yourself:

Tuesday, May 19, 2009

Rememory


Malcolm X was born May 19th, 1925.  Had he not been murdered by the Nation of Islam and the FBI, he would have been 84 today.

Happy birthday, Mr. X.  

We rememory you.


Go Tell It On the Mountain VIII

(David Simon; photo courtesy of Salon)



David Simon is a truth-teller.

The creator of the phenomenal television series, The Wire, recently sat down with the equally brilliant Bill Moyers to discuss the economy, democracy, society and the impact of the aforementioned television show.

See the videos below:






Go Tell It On the Moutain VII

(John Legend; photo courtesy of Jazz at Lincoln Center)


John Legend is an intellectual.  I'm quite impressed.

He delivered the commencement speech at the University of Pennsylvania, College of Arts and Sciences.  

Some notable quotables:

Regarding the ecnomy and Wall Street's wanton disregard for responsible capitalism:

That comforting dichotomy of right and wrong was replaced by what professors here would call inquiry, methodology, and praxis. Or in layperson's terms, a never-ending series of questions, discussions, analyses, and options. There was James Joyce telling me "a man's errors are his portals of discovery. Toni Morrison telling me that "If you surrendered to the air, you could ride it." As a nation -- and as a world -- we need more truth. Let me repeat that. We need more truth.

You know I loved the Morrison quote; it's from Song of Solomon.  Watch the video of the speech below:





Speaking of John Legend, did you know that he had a brother?  And did you know that his brother looked like this?:











Me neither, son. Me neither.

Monday, May 18, 2009

Go Tell It On the Mountain VI

Jesse Ventura, former govenor of Minnesota, owned Elisabeth Hasselbeck today on The View.  I almost felt bad for her.  Almost.

Meet Bry'Nt: Openly Gay Rapper


There's a new rapper on the scene that seems to be setting the underground on fire:

Bry'Nt, a New York rapper who also happens to openly gay.

A contradiction in terms, you say?  Not anymore.






Check out Bry'Nt's music here: http://www.myspace.com/bryntmusic

What do you think of Bry'Nt's flow? Do you think he has what it takes to make it in the rap world, or does homophobia have too much of a stranglehold on Hip-Hop to ever permit such a thing to happen?

Go Tell It On the Mountain V

Dan Savage is annoying as fuck (and has an ego and sense of entitlement the size of the fucking Earth), but I think I can forgive that knowing that what he said in this clip must have had evangelicals gagging across the nation:

[Unreleased Track] Brandy "Back & Forth"

(Brandy chillaxin'; photo courtesy of The Exactly)

I love Brandy!

http://www.zshare.net/audio/601489328ec38e03/

[Film Trailer] Tyler Perry's I Can Do Bad All By Myself

(Tyler Perry as "Madea"; photo courtesy of Popcorn, Soda & Goobers)

I'll admit it: I have a soft spot for Tyler Perry's fuckery.   

Yes, I know he often (read: always) engages in stereotypes and overly familiar tropes.  But I have to admit that his films also show African-Americans from a variety of social, political and economic viewpoints.  There are drug dealers and prostitutes, but there are also doctors and lawyers.  His films run the gamut and illustrate, very often, that African-Americans are not as monolithic as most folks (read: white Hollywood) would have you believe. And in the end, his films are about uplift and redemption, about the importance of love and family. His television shows, however, are an entirely different matter. I don't think I've ever in life seen anything as unfunny and as poorly-acted as House of Payne and Meet the Browns.

Here is the teaser trailer for his upcoming film, I Can Do Bad All By Myself, starring Taraji P. Henson and Brian White

The film will be released to theaters nationwide on September 11th (yikes!), 2009:

Friday, May 15, 2009

Go Tell It On the Mountain IV

("I'm going to tell you the T," says ex-Archbishop Rembert G. Weakland; photo courtesy of The New York Times)


Ex-Catholic Archbishop Rembert G. Weakland is about to drop dime on the inner workings of the Catholic church in his tell-all memoir to be released next month, according to The New York Times.  

Weakland, a now openly gay man who had a 20-year-long same-sex affair while still with the Catholic church (and was subsequently, essentially blackmailed by his ex-lover), is going to talk about "...how internal church politics affected his response to the fallout from his affair; how bishops and the Vatican cared more about the rights of abusive priests than about their victims; and why Catholic teaching on homosexuality is wrong."  According to Weakland,  "a highly placed friend in Rome advised him that church officials preferred that such things be hushed up, which is 'the Roman way.'"  Apparently, not to be confused with "the Greek way."

I'm certain the Catholic church isn't going to bat an eyelash at any of this.  They aren't a bit ashamed of their vile, hypocritical, shady, monstrous tactics.  As Weakland indicated: "In one case...the Vatican courts took so long deciding whether to defrock a priest who had abused dozens of deaf students that the priest died before a decision was reached."

And these motherfuckers have the nerve to call themselves men of God.  God my ass.  Or more appropriately: God of children's asses.

Fucking degenerates.




Thursday, May 14, 2009

Raz-B Responds (Kinda Sorta) to Nude Photos, Chris Stokes Allegations

Remember the photos Raz-B took and posted online not to long ago? No, well take a NSFW look here.

Anyway, in a recent interview, he was asked about those photos (as well as the Chris Stokes molestation scandal) and in classic, shady Hollyweird fashion, have gave really cryptic, deceptive non-answers. It's a little sad to watch:

"Are You a Top or Bottom?"

That's what someone asked Bow Wow.

First, he played stupid; then he pleaded the fifth.  

You gotta love the Internet.


"The Invisibility of the Black Atheist"



Brilliant essay at Words of Wrath.

Excerpt:

Now, I do understand that some slaves had been so thoroughly brainwashed and cut off from their former beliefs and cultures that for them this would have been nearly impossible. I understand that in a version of Stockholm Syndrome popularly known as “Tomism”, after the famous character in Harriet Beecher Stowe’s Uncle Tom’s Cabin, other’s had learned to love their slavemasters and coveted his life, his ways, and even his God. Others, understandably, saw how powerful their slavemasters were and sought to acquire some of his wealth and power for themselves by imitating his ways. I can understand how they would have thought that it was the White man’s God that had seemingly given him the power to enslave their entire race. This having been driven into their minds along with the idea of White superiority by the heads of the church and the bible itself, which condones making slaves of the “strangers that sojourn among you” and the “heathen races”. 

What I don’t understand is how this has continued right through the Civil Rights movement and the Black power movement. How this patriarchal Master/ Slave religion could continue to be so ardently embraced by the children of slaves. What I don’t understand is how we still find ourselves praying to the great overseer in the sky even in the new millennium.


PREACH!

Wednesday, May 13, 2009

[Film Trailer] Precious

(Gauborey Sidibe is Precious Jones)


If you've not read the brilliant novel by author Sapphire, you are missing out on a transformative literary experience.

Directed by Lee Daniels of Monster's Ball fame, the film looks like it's going to live up to the high artistic standards of the novel. The cast, which includes Mo'Nique, Lenny Kravitz and Mariah Carey, give incredible performances.

The film is produced by Oprah Winfrey and Tyler Perry.

Limited release: (New York and Los Angeles) November 6, 2009.  Expands November 13, 2009 and November 20, 2009.

[Music Video] Maxwell "Pretty Wings"

I love the way Maxwell sings this song. At the beginning, he sort of sounds like Tevin Campbell. Toward the end, he's channeling classic Prince.

Monday, May 11, 2009

I Had No Idea, Lenny!

Lenny Kravitz isn't really my type, but DAMN @ his booty!

Monday, May 4, 2009

New Wonder Woman Website!

(Wonder Woman by Phil Jimenez; courtesy of DC Comics)

Are you a fan of Wonder Woman?  Here's a link to the hot new website that allows Wonder Woman fans to interact and dicuss their favorite Amazon princess:


Have fun!

Go Tell It On the Mountain III

(Robert M. Franklin; photo courtesy of Diverse)


It's about time that someone of intelligence and aplomb challenged some of us in the black community to be better rather than to cling to antiquated prejudices, superstitious notions and tomfoolery.

The Washington Post printed a fantastic article detailing the marvelous speech given by Morehouse College's president, Robert M. Franklin. Here are a few of my favorite excerpts:

  • But, he demanded, "in the presence of adult learners, do not sag your pants, do not show your undergarments. Do not wear do-rags, and do not wear baseball caps in class or in the cafeteria."
  • "Wear what you wish to off campus," he said. "But, while you are here on the ground where [Benjamin] Mays and Martin [Luther King Jr.] and Maynard [Jackson] walked, those items are off limits."
  • "To the knuckleheads and clowns who exploit their color while degrading their legacy," Franklin declared: "If you cannot follow the guidelines of a moral community, then leave."
  • "Straight men," Franklin said, "should learn more about the outlooks and contributions of gay men. Read a book by a gay author. Have an intelligent conversation with a gay neighbor." Franklin reminded the Morehouse students: "At a time when it was truly scandalous to have homosexual friends or associates, Dr. King looked to Bayard Rustin, a black gay man, as a trusted adviser. And, Malcolm X regarded James Baldwin, a black gay man, as a brilliant chronicler of the black experience."
You can read more of this exciting article here.  

Thank you, Vik, for the head's up!

Giovanni's Room

 


Son of Baldwin © 2008. Design by: Pocket